Assignment
Due date:
April 29, posted to Canvas before midnight
In this project, you will choose one or two primary texts from an archival source that is related to your life in some way (for example, a local archive from your hometown, legal or financial archives related to your family’s history, an institutional archive from a college or university that someone in your family attended, an archive of materials related to your future academic or career plans). Taking inspiration from M NourbeSe Philip’s ZONG! you will create at least two remixed poems using language from each of your selected texts.
To remix your poems, you’ll select and organize words from your archival documents by part of speech or some other category and use those words to construct new poems.
You will publish a blog post on our class site reflecting on what your poetry remix makes visible, and what it doesn’t. In this post, you should reflect on the act of creating your poems and include the text of both poems. Because the contexts for archival documents are essential in considering their language, please consider the history of your archival text(s), including questions such as: why are they in an archive? how did they get there? and, what is the history of the archive itself? Your blog post should include this archival and textual history, and should consider how the historical and textual contexts for your archive and documents inform your readings of the remixed language in your poems. As with our last blog post, this project should be at least 1,000 words and not longer than 2,000.
As part of this project you will:
- Locate one or two primary source texts
- Write two or more remixed poems with language from your source texts
- Research your archival source text(s)’ contexts and examine the histories for the archives in which they are collected
- Write a blog post that will include:
- Your remixed poems
- Your thoughts on act of remix
- The contexts for your archival source text(s) and the archive(s) in which they are collected
At the end of this unit, you should submit:
- A blog post reflecting on and including your remixed poems and discussing the archival histories of your texts (submitted by publishing the post on our class site)
Example Archives and Exhibits
- Full set of CERES Toolkit projects here
- Thoreau Drawings project
- Exhibit: Nature’s Traces
- Exhibit: Timeline—Flora and Fauna
- Exhibit: Map
- African American Activism and Experience at Northeastern University project
- Boston’s Latino/a Community History Collection
- Freedom House Photographs project
- Exhibit: Birmingham to Boston
- Exhibit: Through the Eye of the Camera
- Scalar-based example: Throughlines
- Engineering at Home (accessible archive)
Links and Resources
- Northeastern DRS main page
- Archives and Special Collections page
- DRS guidelines
- DPLA
Example Student Projects
Spring 2021
- “Remixing Iran and the 1979 Revolution” by Ava Alaeddini
- “Remixing Witchcraft” by Dayna Archer
- “Remixing Bulgaria” by Michaela Boneva
- “The Chapdelaine Lineage: Moving to the United States” by Eric Chapdelaine
- “Remixing Abolitionism” by John Clancy
- “Remixing Legal Documents” by Julia Corfman
- “Remix Poems” by Stephanie Da Costa Pereira
- “Remixing Weston, Florida” by Shawn Dermer
- “Remixing on Immigration” by Kathleen Doherty
- “Remixing on Sexual Assault Awareness” by Aaron Fu
- “Remix Poems––Plane Crashes Along Italian Coast” by Jenna Fey
- “Remix” by Madison Kang
- “Remix Poems” by Spencer Karrat
- “Remixing Saratoga and Schuylerville, NY” by Sarah Lamodi
- “Remixing the Archives: Remembering the Forgotten War” by Jae Lee
- “The Road Taken: Remixing City Planning” by Sisira Mandapaka
- “Remixing on Aleppo” by Mohamad El Nayal
- “Remixing Immigration and Vietnam” by Jonathan Pham
- “Evangelical Covenant Church Remix” by Will Redding
- “Remix Poem” by Deion Smith
Note that these projects were created for a different version of this project, in which students were asked to create their own archival exhibits.
Fall 2018
- “Women Inventors” by Alden Gisholt Minard
- “LA Riots Impact on the Korean American Community” by Charles Kim
- “Archive of the Teams Behind Major Computer Science Endeavors” by Christian Hauser
- “Advertisements in The Colored American Magazine” by Daliyah Middleton
- “Founding Mothers of Feminism” by Dara Sostek
- “Women in Technology and Adversity” by Emily Hontoria
- “Voices of Sex Workers” by Emma Reed
- “Fitting Outside the Census Box” by Katie McColgan
- “Native American Names in the Greater Boston Area” by Kelly Fleming
- “Illuminating the Context of Contemporary Tibet” by Niall Dalton
- “Women in Mathematics” by Nick Payne
- “Race Relations in the Labor Movement of the WWII Era” by Sarah Bernt
Fall 2017
- “Animal Contributions to Radiation Research” by Aislin Black
- “ESL in the 20th Century: Teaching English or Teaching Americanism?” by Li Breite
- “America and Holocaust Refugees” by Giselle Briand
- “The City of Seattle: The Diverse History of the 5th Whitest City in the U.S.” by Nathan Cunningham
- “Comedy by Black Comedians in the Turbulent 1960s” by Kieran Croucher
- “Shades of Complexity: A History of Racial Passing” by Vanessa Gregorchik
- “Women were the key to cracking Nazi codes” by Bryce Griffin
- “Sweet Home: An Archive of Pre-1900s Alternative American Sweeteners” by Danielle Nguyen
- “The Ignorance of an Identity: Authors with Ignored Queer History” by Ciara McAloon
- “Women in Advertising” by Nupur Neogi
- “Women in Computing” by Benjamin Quiring
- “The Philippine-American War: The Filipino Natives Perspective” by Sheetal Singh